Andy Warhol

Self -Portrait Strangulation (1978)

About this artwork

Warhol drew and painted self-portraits since he was a teenager. He was dissatisfied, to the point of obsession, with the way he looked and was very careful with the way he both presented himself artistically and marketed his image. In these six works (displayed as a group) he shows himself seemingly in a life-threatening situation. The hands of an unseen assailant strangle him, while his eyes are directed heavenward rather like a martyred saint. The predominantly dark colours, some partly obscuring his head, as well as the ‘expressionist’ brushwork, give the paintings a distinctly ominous feel. Warhol was shot and critically injured in 1968 and, although death was a recurring theme in his work since the early 1960s, this experience heightened his fears about dying.

see more information see media
  • title: Self -Portrait Strangulation
  • accession number: AR00503
  • artist: Andy WarholAmerican (1928 - 1987)
  • depicted: Andy Warhol
  • gallery: In Storage
  • object type: Painting
  • date created: 1978
  • measurements: Each part: 40.80 x 33.10 x 1.80 cm (framed: 132.10 x 74.30 x 6.20 cm)
  • credit line: ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
  • copyright: © The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York / DACS, London 2016.
This artwork is part of Artist Rooms

Andy Warhol

Andy Warhol

Andy Warhol was born 'Andrew Warhola' to Slovakian immigrant parents living in Pittsburgh in America. Warhol's subject matter was taken from popular culture, in the form of advertising, comics, magazines and packaging. He was able to produce his works quickly by transferring images onto canvas or paper through photography and screenprinting, sometimes with the help of assistants. Warhol stated that he wanted to make works that showed no trace of having been produced by hand. His interest in mass production reflected the fast-developing consumer culture he recognised in America. His New York studio, 'The Factory,' became a popular meeting place for artists, drop-outs, celebrities and bands.