Self Portrait (1988)
About this artwork
By training his camera on his eyes, and on his eyes only, Mapplethorpe has concentrated on those organs and on that faculty that determined his career. These eyes, sunken into his head and surrounded by lines, are the eyes of a sick man – Mapplethorpe was to die of an AIDS-related illness in a few months’ time, but also the eyes of a brave and unflinching man, determined to outstare death.
- title: Self Portrait
- accession number: AR00145
- artist: Robert MapplethorpeAmerican (1946 - 1989)
- gallery: In Storage
- object type: Photograph
- subject: Death
- medium: Gelatine silver print
- date created: 1988
- measurements: 27.10 x 57.50 cm (framed: 61.60 x 89.50 x 2.9 cm)
- credit line: ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
- copyright: © Robert Mapplethorpe Foundation.
- photographer: Antonia Reeve
The American photographer Robert Mapplethorpe became famous, not to say, notorious, in the 1970s and 1980s for his photographs of the male nude and sexually explicit, gay imagery. Although often considered controversial, Mapplethorpe tested the right to individual freedom of expression. These images were not meant to be titillating or obscene but beautiful in a traditionally classical way. His work, therefore, holds a significant place in the history of artistic struggle to depict the world as it is, with honesty and truth. His nudes, when considered alongside his portraits of children and flower photographs, show him to be overwhelmingly interested in the beauty and transience of life. Mapplethorpe, even when facing death from AIDS, affirmed the beauty of the here and now.