About this artwork
Mapplethorpe rarely photographed nature in the ‘wild’. Here, like his flower photographs, he has removed the subject from its natural environment. Although considering frogs’ unpredictability, especially in comparison to flowers, Mapplethorpe has managed to capture eight within a perfectly balanced composition. With all points of reference removed, the plate has become a white circle, suspended on a black background. The frogs appear to have gathered contently across the surface of the plate, oblivious to the religious connotations of sacrifice and the humourous allusion to the well-known French delicacy of frogs’ legs.
- title: Frogs
- accession number: AR00221
- artist: Robert MapplethorpeAmerican (1946 - 1989)
- gallery: In Storage
- object type: Photograph
- materials: Photograph, gelatine silver print on paper
- date created: 1984
- measurements: 37.40 x 37.30 cm (framed: 50.80 x 40.60 cm)
- credit line: ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
- copyright: © Robert Mapplethorpe Foundation.
- photographer: Antonia Reeve
The American photographer Robert Mapplethorpe became famous, not to say, notorious, in the 1970s and 1980s for his photographs of the male nude and sexually explicit, gay imagery. Although often considered controversial, Mapplethorpe tested the right to individual freedom of expression. These images were not meant to be titillating or obscene but beautiful in a traditionally classical way. His work, therefore, holds a significant place in the history of artistic struggle to depict the world as it is, with honesty and truth. His nudes, when considered alongside his portraits of children and flower photographs, show him to be overwhelmingly interested in the beauty and transience of life. Mapplethorpe, even when facing death from AIDS, affirmed the beauty of the here and now.