Enforced Perspective: Allegory and Symbolism (1975)
About this artwork
Between 1975 and 1976, Nauman produced a series of sculptural installations consisting of carved stone and metal slabs placed around the floors of large rooms. In 'Enforced Perspective' steel rhomboids form a geometric design, creating the illusion of subtle shifts in the gallery floor as the viewer moves about them. Although the overall pattern that the visitor encounters appears relatively simple, the grouping of the thirty-six slabs has many possible arrangements. By creating a sculptural field that could be altered, this installation allowed Nauman to test the effects of different spaces on his audience’s behaviour.
- title: Enforced Perspective: Allegory and Symbolism
- accession number: AR00180
- artist: Bruce NaumanAmerican (born 1941)
- gallery: In Storage
- object type: Sculpture
- date created: 1975
- measurements: Each: 10.20 x 35.60 x 35.60 cm
- credit line: ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
- copyright: © ARS, NY and DACS, London 2016.
Bruce Nauman is considered one of the most influential artists working today. He was born in Indiana and initially studied Maths and Physics in Wisconsin, then Art in California. In 1965 he abandoned purely painting in favour of working in a variety of media. His work combines bodily consciousness, physical and mental activity, linguistic manipulation and humour. In his early work, Nauman made wax casts of his body, moving on to make sculptural installations, photographs, films and performance pieces. Although Nauman's work has been associated with various movements, including performance, conceptual and body art, it always eludes precise categorisation. He represented America at the 2009 Venice Biennale.