La Représentation [Representation] (1937)
About this artwork
This was the only time Magritte used a shaped frame for one of his paintings. The painting was originally square, but several months after painting it the artist decided to cut it down and have a new frame specially made. He may have been influenced by a pair of portraits in shaped frames painted by Salvador Dalí the previous year. Magritte wrote that the finished work 'constitutes a rather surprising object, I think.' Magritte was very particular about the titles of his works, and preferred them to be poetic and surprising rather than descriptive.
- title: La Représentation [Representation]
- accession number: GMA 3546
- artist: Rene MagritteBelgian (1898 - 1967)
- gallery: On Loan
- object type: Painting
- subject: Nudity Surrealism
- materials: Oil on canvas laid on plywood
- date created: 1937
- measurements: 48.80 x 44.50 cm (frame 53.70 x 49.50 x 4.30 cm)
- credit line: Purchased 1990
- copyright: © ADAGP, Paris and DACS, London 2016.
Magritte was born in Belgium and, apart from a few years spent in Paris in the late 1920s, lived there all his life. Unlike many Surrealists, Magritte did not subscribe to the view that the unconscious could be expressed through chance or 'automatic' techniques. Instead, he planned and executed his paintings with all the deliberation and skill of an academic painter. The results are surprisingly credible images of seemingly illogical scenes. Magritte would undermine logic by tampering with scale and by placing unrelated objects in unexpected settings. A constant theme running through his art is the relationship that exists between the painted image and the visible world, between fiction and reality. Magritte's art blurs the boundaries between the two.