About this artwork
Camouflage colouring was invented by artists for the military around 1900 so soldiers and their vehicles would blend into their backgrounds and therefore be more difficult to spot by the enemy. Warhol began to use camouflage designs for his paintings in 1986. Their all-over, repeating patterns appealed to his interest in abstract expressionist painting. By varying the colours he used, such as bright yellows, reds, pinks, purples and blues, Warhol was able to remove much of the military symbolism of the pattern, yet still retain the idea of hiding. Warhol was known for hiding his true self - he would give short, often one-word answers in interviews and wore a series of wigs and make-up. This was due to feelings of personal insecurities, especially regarding his appearance.
- title: Camouflage
- accession number: AR00611
- artist: Andy WarholAmerican (1928 - 1987)
- gallery: In Storage
- object type: Painting
- date created: 1986
- measurements: 183.00 x 183.00 x 3.30 cm
- credit line: ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
- copyright: © The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York / DACS, London 2016.
Andy Warhol was born 'Andrew Warhola' to Slovakian immigrant parents living in Pittsburgh in America. Warhol's subject matter was taken from popular culture, in the form of advertising, comics, magazines and packaging. He was able to produce his works quickly by transferring images onto canvas or paper through photography and screenprinting, sometimes with the help of assistants. Warhol stated that he wanted to make works that showed no trace of having been produced by hand. His interest in mass production reflected the fast-developing consumer culture he recognised in America. His New York studio, 'The Factory,' became a popular meeting place for artists, drop-outs, celebrities and bands.