Il Contento (about 1607)
About this artwork
This is the second of three surviving preparatory drawings that Elsheimer produced for his celebrated painting ‘Il Contento’. The other two are in the Cabinet des Dessins in the Louvre, Paris. Few of Elsheimer’s pen drawings for his paintings survive. This sheet is extremely detailed and shows a number of the figures that appear in the finished painting, albeit with some slight alterations. The nude female striding towards the action from the left and the older man pulling the goddess’ cloak are very close to their painted counterparts. The bustling action of the foreground gives way to a blank backdrop, with only a mere suggestion of a landscape sketched in with the brush. Elsheimer used washes of ink to suggest light and shade, and to make his figures appear more fully three dimensional.
- title: Il Contento
- accession number: RSA 298
- artist: Adam ElsheimerGerman (1578 - 1610)
- gallery: Scottish National Gallery Of Modern Art One(In Storage)
- object type: Work on paper
- materials: Pen and brown ink and grey wash over black chalk on two sheets of paper joined in the centre
- date created: about 1607
- measurements: 28.80 x 37.40 cm
- credit line: David Laing Bequest to the Royal Scottish Academy on loan 1966
Elsheimer specialised in detailed brilliantly coloured paintings on copper. He combined figures and landscape vistas with precision and delicacy paying particular attention to the effects of light. His work was greatly admired and profoundly influenced many artists in Rome, especially those from Northern Europe, including Rubens and Claude. Elsheimer was born and trained as a painter in Frankfurt. He travelled to Venice and stayed there for two years before moving permanently to Rome. Tintoretto's paintings in Venice exerted a lasting influence on his own short career. Knowledge of his compositions spread through the circulation of prints made from them.