Frau mit durchsichtigem Gewand [Woman in Transparent Drapery] (About 1902)
About this artwork
This drawing is believed to be a study for the frieze Klimt painted in the central hall of Secession building in Vienna in 1902. The frieze was part of a group exhibition which paid tribute to Beethoven, and accompanied a controversial sculpture of the composer by Max Klinger. Klimt chose Richard Wagner’s interpretation of Beethoven’s Ninth Symphony as the theme for the frieze. The drawing was originally thought to show a standing woman, but it in fact relates closely to a number of similar studies of a woman lying down.
- title: Frau mit durchsichtigem Gewand [Woman in Transparent Drapery]
- accession number: GMA 1249
- artist: Gustav KlimtAustrian (1862 - 1918)
- gallery: Scottish National Gallery Of Modern Art One(Print Room)
- object type: Work on paper
- subject: Beauty
- materials: Black chalk on paper
- date created: About 1902
- measurements: 31.90 x 45.30 cm
- credit line: Purchased 1971
- photographer: Antonia Reeve
Klimt was born in Vienna. He is probably best known for his portraits and paintings of mythological and allegorical themes. His work exudes a lush sensuality, evoking an age of luxury and optimism before the First World War. In his paintings, the figures are treated naturalistically but their clothing and the background is embellished with richly decorative patterns. Klimt also produced numerous drawings, many of which have an erotic aspect. In 1897, Klimt became the first president of the Secession group in Vienna. He also produced designs for the Wiener Werkstätte (Viennese Workshops).