Ed Ruscha

Eileen Feather Salon, 14425 Sherman Way, Van Nuys (1967 / 1999)

About this artwork

This aerial shot turns a banal urban landscape into an abstract geometric design. Ruscha captured this empty Los Angeles parking area for one of the famous Eileen Feather Figure Salons early one Sunday morning in 1967 from a helicopter. From above the parking lots appear to be abandoned urban spaces, covered in skid marks and oil stains that mark the traces of human presence. In 1999, Ed Ruscha selected 30 images from his artist book ‘Thirtyfour Parking Lots’ 1967/1999 and reprinted them as the print portfolio ‘Parking Lot Series’ 1967/1999 of which this image is one. He said, “over the years I began to appreciate print quality and see my photographs as not necessarily reproductions for a book, but as having their own life as silver gelatine prints.”

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  • title: Eileen Feather Salon, 14425 Sherman Way, Van Nuys
  • accession number: AL00249
  • artist: Ed RuschaAmerican (born 1937)
  • gallery: In Storage
  • object type: Photograph
  • date created: 1967 / 1999
  • measurements: 39.40 x 39.40 cm (framed: 56.50 x 56.50 x 4.50 cm)
  • credit line: ARTIST ROOMS National Galleries of Scotland and Tate. Lent by Artist Rooms Foundation 2011
  • copyright: © Ed Ruscha.
This artwork is part of Artist Rooms

Ed Ruscha

Ed Ruscha

Ruscha was born in Omaha, Nebraska. He grew up in Oklahoma and studied in Los Angeles. Ruscha's work is diverse and experimental. Since childhood he has been interested in commercial art, in the form of advertising, comic books and magazines. This led to his first paintings featuring words, produced in the late 1950s. Ruscha is equally known for his books of deadpan photographs, such as 'Twenty-six Gasoline Stations' of 1963 and volumes of banal photographs of buildings. In his work Ruscha aims to challenge accepted concepts of language and meaning, often by combining unrelated words and images.