August Sander

The Fighter or Revolutionary (1925)

About this artwork

August Sander’s ambition to create a photographic documentation of all ‘types’ of German people resulted in the collection ‘The People of the 20th Century’. He divided his project into seven groups and the series began with photographs of rural farmers in the Westerwald region, in a group he called ‘The Farmer’. Sander did not include his subjects’ names in this portfolio, instead he chose succinct titles. This three-quarter length portrait differs from the rest of the portfolio in its use of a traditional studio setting. It lacks the narrative background of outdoor and interior scenes, alluding instead to the traditional daguerreotype of the 19th century. The composition’s central elements of half-opened glasses and book, which occupy his hands, allude to studio photography.

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  • title: The Fighter or Revolutionary
  • accession number: AL00004
  • artist: August SanderGerman (1874 - 1964)
  • gallery: In Storage
  • object type: Photograph
  • medium: Embossed paper in frame
  • date created: 1925
  • measurements: 25.80 x 18.90 cm (paper 44.00 x 33.90 cm; mount: 46.00 x 36.00 cm; frame: 48.20 x 38.20 x 3.20 cm)
  • credit line: ARTIST ROOMS National Galleries of Scotland and Tate. Lent by Anthony d'Offay 2010
  • copyright: © Die Photographische Sammlung/SK Stiftung Kultur - August Sander Archiv, Köln/VG Bild-Kunst, Bonn and DACS, London 2016.
This artwork is part of Artist Rooms

August Sander

August Sander

Considered one of the finest photographers of the twentieth century, Sander's bold style of portrait photography, as well as his typological approach, has had an enormous influence on modern photography. During his apprenticeship in several German studios and his time in his own studio in Austria, he developed his individual style. Then in 1910 Sander moved to Cologne and produced his first large group of photographs, which he later included in his concept "People of the 20th Century". This was created in the mid-1920s and compiled up until the 1950s. He photographed groups of people in his native Germany, classifying them according to their occupations and positions in society.