Caledonian Market, London (Photographed about 1931)
About this artwork
Caledonian Market was one of the largest flea-markets in London during the 1930s. It was popular with photographers as it offered easy access to a lively aspect of the city’s working-class culture. Fellow exiles such as Bill Brandt and László Moholy-Nagy also photographed there, perhaps because it provided an echo of a complex street life commonplace on the Continent. Tudor-Hart published a photo essay about Caledonian Market in the illustrated magazine ‘Der Kuckuck’ in 1931 titled ‘The Market of Naked Misery’. As she wrote, “of all the working-class districts in Europe’s great cities, those in London are the bleakest”. Here, the focus is on the dynamic between the three central figures.
- title: Caledonian Market, London
- accession number: PGP 279.29B
- artists: Edith Tudor-HartAustrian (1908 - 1973) Owen LoganScottish (born 1963)
- gallery: Scottish National Portrait Gallery(Print Room)
- object type: Photograph
- date created: Photographed about 1931
- measurements: 27.70 x 27.50 cm
- credit line: Presented by Wolfgang Suschitzky 2004
Edith Tudor-Hart, née Suschitzky, was one of the most significant documentary photographers working in Britain in the 1930s and 1940s. Born in Vienna, she grew up in radical Jewish circles. Edith married Alex Tudor-Hart, a British doctor, and the pair moved to England. There she worked as a documentary photographer, closely associated with the Communist Party, compiling a remarkable archive of images of working people in London and later, the south of Wales. Although still active in the 1950s, the difficulties of finding work as a woman photographer led eventually to Tudor-Hart abandoning photography altogether.
Owen Logan was born in Edinburgh in 1963. He has worked as a freelance photographer since 1979. His work has been largely about documenting other cultures. In 1983 he began a series of pictures of the Sikh community both in Britain and abroad. His projects have concentrated on life in Morocco, published as 'Al Maghrib' (1989) and the Italian communities in Scotland, 'Bloodlines/Vite allo Specchio'. He is currently working on a complex long-term project in Nigeria, about the impact of globalisation, which involves close collaboration with Nigerians. Logan is also a contributing editor to the independent arts magazine Variant and a research fellow in the field of socio-economics at the University of Aberdeen. He lives and works in Edinburgh and Toulon.