Owen Logan & Edith Tudor-Hart

Unemployed Workers’ Demonstration, Vienna (Photographed 1932)

About this artwork

Throughout the 1920s Vienna was afflicted by high levels of unemployment, a source of social unrest. Some estimates suggest that by 1933 this affected as many as 750,000 people, or forty percent of the urban labour force. The social-democratic administration worked hard to alleviate unemployment’s worst aspects, paying special attention to working-class housing and cultural provision in the city. However, they did little to resolve inequality and the social-democratic leadership was frequently accused of valuing cultural over political and economic struggle. Tudor-Hart photographed both the effects of unemployment and the Social Democrats’ efforts to improve the lives of the city’s working class. Her images reflect the stark contradictions of interwar Vienna.

Owen Logan

Edith Tudor-Hart

Owen Logan

Owen Logan was born in Edinburgh in 1963. He has worked as a freelance photographer since 1979. His work has been largely about documenting other cultures. In 1983 he began a series of pictures of the Sikh community both in Britain and abroad. His projects have concentrated on life in Morocco, published as 'Al Maghrib' (1989) and the Italian communities in Scotland, 'Bloodlines/Vite allo Specchio'. He is currently working on a complex long-term project in Nigeria, about the impact of globalisation, which involves close collaboration with Nigerians. Logan is also a contributing editor to the independent arts magazine Variant and a research fellow in the field of socio-economics at the University of Aberdeen. He lives and works in Edinburgh and Toulon.

Edith Tudor-Hart

Edith Tudor-Hart, née Suschitzky, was one of the most significant documentary photographers working in Britain in the 1930s and 1940s. Born in Vienna, she grew up in radical Jewish circles. Edith married Alex Tudor-Hart, a British doctor, and the pair moved to England. There she worked as a documentary photographer, closely associated with the Communist Party, compiling a remarkable archive of images of working people in London and later, the south of Wales. Although still active in the 1950s, the difficulties of finding work as a woman photographer led eventually to Tudor-Hart abandoning photography altogether.